Sheila Dabney is an American actress, best known for her co-starring role in the 1987 lesbian feminist film She Must Be Seeing Things alongside Lois Weaver and directed by Sheila McLaughlin.[1]

In 1984, Dabney won an Obie Award for her performance as Sarita in Maria Irene Fornés' play Sarita.[2]

Theater

  • Performer, The Bacchae (1980) at Circle in the Square Theatre[3]
  • Performer, The Three Travels of Aladdin With the Magic Lamp (1982) at La MaMa Experimental Theatre Club[4]
  • Performer, Hot Lunch Apostles (1983) at La MaMa Experimental Theatre Club[5]
  • Performer, Conjur Woman (1983) at La MaMa Experimental Theatre Club[6]
  • Performer, Jerusalem (1983), a work-in-progress, at La MaMa Experimental Theatre Club[7]
  • Performer, Sarita (1984), produced by INTAR Theatre[8]
  • Performer, Hot Lunch Apostles (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Pedro Paramo (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Harm's Way (1985) at La MaMa Experimental Theatre Club[10]
  • Performer, Big Mouth (1985) at La MaMa Experimental Theatre Club[11]
  • Performer, Cotton Club Gala (1985) at La MaMa Experimental Theatre Club[12]
  • Performer, Fragments of a Greek Trilogy (1987) at La MaMa Experimental Theatre Club[13]
  • Performer and musical composition and direction, Mythos Oedipus and Dionysus Filius Dei (1989) at La MaMa Experimental Theatre Club[14]
  • Performer and additional music and arrangements, Tancredi and Erminia (1993) at La MaMa Experimental Theatre Club[15]
  • Performer, Conjur Woman (2008) at La MaMa Experimental Theatre Club[16]
  • Musical director and performer, Red Noir (2009) at the Living Theatre[17]

Filmography

References

  1. ↑ Gwendolyn Audrey Foster (January 1, 1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. pp. 251–. ISBN 978-0-313-28972-9.
  2. ↑ "Two Works Share Obie". NYT. May 22, 1984. Retrieved July 25, 2014.
  3. ↑ "The Bacchae Broadway @ Circle in the Square Theatre - Tickets and Discounts | Playbill". Playbill. Retrieved March 16, 2018.
  4. ↑ Gussow, Mel (October 20, 1982). "Musical: 'three Travels of Aladin'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  5. ↑ La MaMa Archives Digital Collections, "Program for 'Hot Lunch Apostles' (1983)." Retrieved March 16, 2018.
  6. ↑ La MaMa Archives Digital Collections, "Program for 'Conjur Woman' (1983)." Retrieved March 16, 2018.
  7. ↑ La MaMa Archives Digital Collections, "Invitation: 'Jerusalem' (1983)." Retrieved March 16, 2018.
  8. ↑ Sofer, Andrew. “Maria Irene Fornes: Acts of Translation.” A companion to twentieth-Century American drama, edited by David Krasner, Blackwell, 2007, pp. 440–455.
  9. 1 2 Holden, Stephen (March 29, 1984). "Theater: Poetry Pair". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  10. ↑ Gussow, Mel (November 21, 1985). "The Stage: 'harm's Way,' by Max Wellman". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  11. ↑ Holden, Stephen (May 9, 1985). "Theater: 'big Mouth'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  12. ↑ Gussow, Mel (1986). "Stage: Musical Revue, 'cotton Club-Gala'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  13. ↑ Gussow, Mel (1987). "Stage: 'greek Trilogy' Returns to La Mama". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  14. ↑ La MaMa Archives Digital Collections, "Show File: 'Mythos Oedipus' and 'Dionysus Filius Dei' (1989)." Retrieved March 16, 2018.
  15. ↑ Bruckner, D. j r (December 16, 1993). "Theater in Review". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  16. ↑ Webster, Andy (February 6, 2008). "Conjur Woman - Review - Theater". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  17. ↑ "Living Theatre Announces Four-Week Extension of Red Noir | Playbill". Playbill. Retrieved March 3, 2018.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.