Miss La La
BornAnna Olga Albertina Brown Edit this on Wikidata
21 April 1858 Edit this on Wikidata
Szczecin Edit this on Wikidata
Diedafter 1919
OccupationAcrobat Edit this on Wikidata

Miss La La (born April 21, 1858) was an expert aerialist who served as muse to Edgar Degas and was depicted in his 1879 painting Miss La La at the Cirque Fernando.[1][2] She was also depicted in a poster for the Folies Bergère.[3] She was the star of Troupe Kaira, a traveling circus act, and performed with the Cirque Fernando, based in Montmartre.[1]

Early life

La La was born either Anna Olga Albertina Brown[4] or Olga Brown[5] in the former German/Prussian territory of Szczecin to a black father and white mother.[1][6]

Career

La La began touring as a child, approximately around age nine, when her mother placed her in the circus.[6] She used multiple stage names throughout her career including Olga the Negress, Venus of the Tropics, African Princess, and Olga the Mulatto. She was also billed as La Femme Canon, La Mulatresse-Canon, and Black Venus.[1][7] She played venues such as the Folies Bergère[8][9] in Paris, the Royal Aquarium in London, and the Gaiety Theatre in Manchester.[5] With Troupe Kaira, La La performed a flying trapeze and human cannon ball act.[5] One of her signature acts involved being "pulled up to the height of the circus tent by biting down on a rope." The feat was performed at the height of 200 feet.[10] Another signature stunt involved hoisting other people or a 200-pound cannon with her teeth. She was also known for her stunt of being hoisted up to her trapeze by her teeth.[7] At age 21, La La became the subject of Edgar Degas's sketches, leading to his 1879 painting Miss La La at the Cirque Fernando.[1] La La performed up until the late 1880s.

Marriage and family

La La married African-American circus contortionist Emanuel "Manuel" Woodson in 1888.[11] The couple had three daughters who also became performers, forming a trio called The Three Keziahs.[11][6]

Legacy

La La is the subject of various articles including ones in The Guardian and the New York Times as well as the 2007 scholarly work Miss La La's Teeth: Reflections on Degas and Race.[12] Edgar Degas's portrait of her hangs in the National Gallery in London, England.[13] Since 1937, the portrait has appeared in a variety of exhibitions at a number of venues, including the J. Paul Getty Museum in Los Angeles and the Morgan Library & Museum in New York.[14] In 2018, the portrait was loaned to the Weston Park Museum in Sheffield, England for an exhibit about black circus performers in the series Circus! Show of Shows.[5][10] From Oct. 2018 through February 2019, the portrait appeared in Posing Modernity: The Black Muse from Manet to Matisse and Beyond, an exhibit at the Miriam and Ira D. Wallach Art Gallery at Columbia University, curated by Dr. Denise Murrell.[14]

References

  1. 1 2 3 4 5 Rosenberg, Karen (February 21, 2013). "A Painterly Eye Capturing a High-Flying Muse". The New York Times.
  2. "Degas, Miss La La, and the Cirque Fernando". The Morgan Library & Museum. March 21, 2013.
  3. "Famed Aerialist Miss la La Mesmerized Fans Including Edgar Degas with Her Graceful Strength".
  4. "Little Known Black History Fact: Olga Kaira". October 28, 2016.
  5. 1 2 3 4 Kennedy, Maev (May 7, 2018). "From Degas muse to modern aerialist: exhibition charts black women in circus" via www.theguardian.com.
  6. 1 2 3 "5 Forgotten Heroines Of Victorian London". Londonist. March 6, 2018.
  7. 1 2 Théberge, Pierre; Palais (Parijs), Galeries Nationales du Grand; Canada, National Gallery of (February 22, 2004). The Great Parade: Portrait of the Artist as Clown. Yale University Press. ISBN 0300103751 via Google Books.
  8. Jules Chéret (1880). "Folies-Bergère. Miss Lala". poster, Les Arts décoratifs, Paris. Retrieved 25 February 2023.
  9. François Appel (1880). "Miss Lala et troupe Kaira". poster, Bibliothèque nationale de France, Gallica, Paris. Retrieved 25 February 2023.
  10. 1 2 "Miss La La Takes Flight". Museums Sheffield.
  11. 1 2 "The untold story of Europe's first black female circus star | The Voice Online". archive.voice-online.co.uk.
  12. Brown, Marilyn R. (2007). ""Miss La La's" Teeth: Reflections on Degas and "Race"". The Art Bulletin. 89 (4): 738–765. doi:10.1080/00043079.2007.10786372. JSTOR 25067359. S2CID 194085984.
  13. "Hilaire-Germain-Edgar Degas | Miss La La at the Cirque Fernando | NG4121 | National Gallery, London". www.nationalgallery.org.uk.
  14. 1 2 "Miss Lala at the Fernando Circus (Getty Museum)". The J. Paul Getty in Los Angeles.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.