Craig Dworkin
Born (1969-01-18) January 18, 1969
Bloomington, Indiana
OccupationPoet, critic, editor, professor
Website
eclipsearchive.org

Craig Dworkin is an American poet, critic, editor, and Professor of English at the University of Utah.[1][2][3] He is founding senior editor of Eclipse, an online archive of 20th-century small-press writing and 21st-century born-digital publications.[4][5]

Education and career

Dworkin received his BA from Stanford University and his PhD from the University of California, Berkeley.[2] He was an assistant[6] and associate professor[7] at Princeton University from 1998–2004 before joining the faculty at the University of Utah, where he is a Professor of English.[1]

Dworkin has written a number of books of poetry, including Helicography (Punctum Books, 2021),[8] The Pine-Woods Notebook (Kenning Editions, 2019),[9] Def (Information as Material, 2018),[10] Twelve Erroneous Displacements and a Fact (IAM, 2016),[11] Alkali (Counterpath Press, 2015),[12] The Crystal Text (After Clark Coolidge) (Compline, 2012),[13] Motes (Roof Books, 2011),[14] The Perverse Library (IAM, 2010),[15] and Strand (Roof, 2005).[16]

Dworkin is the author of four scholarly monographs: Radium of the Word: A Poetics of Materiality (Chicago, 2020);[17] [18] Dictionary Poetics: Toward a Radical Lexicography (Fordham, 2020);[19] No Medium (MIT, 2013),[20] in which he discusses works that are "blank, erased, clear, or silent";[21] and Reading the Illegible (Northwestern, 2003).[22] Edited collections include Against Expression (co-edited with Kenneth Goldsmith, Northwestern, 2011), in which he coined the term "conceptual writing";[23] The Sound of Poetry / The Poetry of Sound, co-edited with Marjorie Perloff (Chicago, 2009); and The Consequence of Innovation: 21st Century Poetics (Roof, 2008). He has published articles in such diverse journals as October,[24] Grey Room,[25] Contemporary Literature,[26] PMLA,[27] and Critical Inquiry.[28]

Dworkin is the founding senior editor of Eclipse, an online archive focusing on digital facsimiles of radical small-press writing from the last quarter of the 20th century.[4] The archive has expanded to publish selected new works and include born-digital publications.[4]

Works

Scholarly monographs

  • Radium of the Word: A Poetics of Materiality. University of Chicago Press. 2020.
  • Dictionary Poetics: Toward a Radical Lexicography. Fordham University Press. 2020.
  • No Medium. MIT Press. 2013.
  • Reading the Illegible. Northwestern University Press. 2003.

Edited collections

Poetry books and pamphlets

References

  1. 1 2 "Craig Dworkin". The University of Utah. Retrieved 1 July 2021.
  2. 1 2 "Craig Dworkin". The Andy Warhol Foundation Arts Writers Grant. 2013. Retrieved 24 December 2022.
  3. "Craig Dworkin". Mapping Literary Utah. Retrieved 24 December 2022.
  4. 1 2 3 LaMarre, James (5 January 2016). "Poetic protocols: An interview with Craig Dworkin". Jacket2. Retrieved 1 July 2021.
  5. Gossett, Michael (4 March 2019). "Eclipse Archive". Archival Encounters. Retrieved 24 December 2022.
  6. "Assistant professors join faculty". Princeton Weekly Bulletin. 16 November 1998. Retrieved 1 July 2021.
  7. "Board approves 14 promotions". Princeton Weekly Bulletin. 2004. Retrieved 1 July 2021.
  8. Sacksteder, Joe (April 2022). ""Helicography by Craig Dworkin"". The Rupture. Retrieved 24 December 2022.
  9. "Al Filreis and Danny Snelson discuss The Pine-Woods Notebook". Kenning Editions. Retrieved 1 July 2021.
  10. "From DEF – A Long Poem". Arcade: A Digital Salon. Stanford. Retrieved 1 July 2021.
  11. Liberty, Megan N. (April 2017). "Reading as Art & Publishing as Artistic Practice". Brooklyn Rail. Retrieved 24 December 2022.
  12. Brunvand, Amy (3 April 2016). "Poetry as Mineralogy: Craig Dworkin's Conceptual Poetry Crystalizes in Alkali". Artists of Utah. Retrieved 1 July 2021.
  13. Williams, Tyrone (9 June 2014). "Dworkin after Coolidge: 'The Crystal Text' stripped bare ..." Jacket2. Retrieved 1 July 2021.
  14. Burt, Stephanie (7 February 2013). "Games About Frames: Minimalists Craig Dworkin and Michael O'Brien". Boston Review. Retrieved 1 July 2021.
  15. "Exhibitions and events: The Perverse Library". The Laurence Sterne Trust. 2010. Retrieved 1 July 2021.
  16. Stephens, Paul. "Self-Portrait in a Context Mirror: Pain and Quotation in the Conceptual Writing of Craig Dworkin". Postmodern Culture. Johns Hopkins University Press. 19 (3). doi:10.1353/pmc.2009.0004.
  17. Jackson, Virginia (December 2022). "Virginia Jackson reviews Radium of the Word". Critical Inquiry. Retrieved 24 December 2022.
  18. "Dworkin discusses Radium of thee Word". YouTube. May 2021. Retrieved 12 June 2023.
  19. Malyszek, Chelsea (7 November 2020). "The Poet and the Dictionary". The Los Angeles Review of Books. Retrieved 1 July 2021.
  20. Drucker, Johanna (9 July 2013). "Understanding Media: Craig Dworkin's "No Medium"". The Los Angeles Review of Books. Retrieved 1 July 2021.
  21. Leong, Michael (8 June 2013). "Reading the "Nothings that Are": Craig Dworkin's "No Medium"". Hyperallergic. Retrieved 1 July 2021.
  22. Khalip, Jacques (October 2004). "Harder to See". Boston Review. Retrieved 1 July 2021.
  23. Reed, Brian (June 2016). "Idea Eater: The Conceptual Lyric as an Emergent Literary Form". Mosaic: An Interdisciplinary Critical Journal. University of Manitoba. 49 (2). Retrieved 1 July 2021.
  24. Dworkin, Craig Douglas (Winter 2001). "Fugitive Signs". October. The MIT Press. 95: 90–113. Retrieved 24 December 2022.
  25. Dworkin, Craig (Fall 2005). "Whereof One Cannot Speak". Grey Room (21): 46–69. doi:10.1162/152638105774539798. Retrieved 1 July 2021.
  26. Dworkin, Craig (Spring 2007). "The Imaginary Solution". Contemporary Literature. University of Wisconsin Press. 48 (1): 29–60. Retrieved 1 July 2021.
  27. Dworkin, Craig (May 2008). "The Poetry of Sound". PMLA. Cambridge University Press. 123 (3): 755–761. Retrieved 1 July 2021.
  28. Dworkin, Craig (Summer 2018). "Poetry in the Age of Consumer-Generated Content". Critical Inquiry. 44 (4). doi:10.1086/698173. Retrieved 1 July 2021.
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