The Terminator
Theatrical release poster
Directed byJames Cameron
Written by
Produced byGale Anne Hurd
Starring
CinematographyAdam Greenberg
Edited byMark Goldblatt
Music byBrad Fiedel
Production
companies
Distributed byOrion Pictures
Release date
  • October 26, 1984 (1984-10-26)
Running time
107 minutes[1]
Country
LanguageEnglish
Budget$6.4 million[5]
Box office$78.3 million

The Terminator is a 1984 American science fiction action film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cybernetic assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose unborn son will one day save mankind from extinction by Skynet, a hostile artificial intelligence in a post-apocalyptic future. Kyle Reese (Michael Biehn) is a soldier sent back in time to protect Sarah. The screenplay is credited to Cameron and producer Gale Anne Hurd, while co-writer William Wisher Jr. received an "additional dialogue" credit.

Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumna Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winston and Gene Warren Jr.

Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron's film career and solidifying Schwarzenegger's status as a leading man. The film's success led to a franchise consisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the United States National Film Registry.

Plot

In 1984, two men arrive separately in Los Angeles, having time traveled from 2029. One is a cybernetic assassin known as a Terminator, programmed to hunt and kill a woman named Sarah Connor. The other is a human soldier named Kyle Reese, intent on stopping it. They both steal guns and clothing.

The Terminator systematically kills women bearing its target's name, having found their addresses in a telephone directory. It tracks the last Sarah Connor, its actual target, to a nightclub, but Reese rescues her. The pair steal a car and escape, with the Terminator pursuing them in a stolen police car.

As they hide in a parking lot, Reese explains to Sarah that an artificially intelligent defense network known as Skynet, created by Cyberdyne Systems, will become self-aware in the near future and trigger a global nuclear war to exterminate the human species. Sarah's future son (John Connor) will rally the survivors and lead a successful resistance movement against Skynet and its army of machines. On the verge of the resistance's victory, Skynet sent the Terminator back in time to kill Sarah and prevent John from being born. The Terminator is an efficient and relentless killing machine with a perfect voice-mimicking ability and a durable metal endoskeleton covered by living tissue that disguises it as a human.

Police apprehend Reese and Sarah after another encounter with the Terminator. It attacks the police station, killing police officers while hunting for Sarah. Reese and Sarah escape, steal another car, and take refuge in a motel, where they assemble several pipe bombs and plan their next move. Reese admits that he has adored Sarah since he saw her in a photograph John gave him and that he traveled through time out of love for her. Reciprocating his feelings, Sarah kisses him and they have sex, conceiving John.

The Terminator locates Sarah by intercepting a call intended for her mother. She and Reese escape the motel in a pickup while it pursues them on a motorcycle. In the ensuing chase, Reese is badly wounded by gunfire while throwing pipe bombs at the Terminator. Sarah knocks the Terminator off its motorcycle but loses control of the truck, which flips over.

The Terminator, now bloodied and badly damaged, hijacks a tank truck and attempts to run down Sarah, but Reese slides a pipe bomb into the tanker's hose tube, causing a giant explosion that burns all the flesh from the Terminator's endoskeleton. It pursues them into a factory, where Reese activates the machinery to confuse it. He jams his final pipe bomb into its midsection, blowing it apart and Reese is killed. Its still-functional torso grabs Sarah, but she breaks free and lures it into a hydraulic press, crushing and finally destroying it.

Months later, Sarah, visibly pregnant with John, travels through Mexico, recording audio tapes to pass on to him. At a gas station, a boy takes a polaroid picture of her, and she buys it. It is the exact photograph that John will one day give to Reese. The gas station owner comments that there is a storm coming, and Sarah replies that she knows, alluding to humanity's future war against Skynet. The film ends as Sarah drives off into the sunset.

Cast

Arnold Schwarzenegger, Linda Hamilton, and Michael Biehn (pictured in 1984, 1997, and 2008, respectively) played the film's leads.

Additional actors included Shawn Schepps as Nancy, Sarah's co-worker at the diner; Dick Miller as a gun shop clerk; professional bodybuilder Franco Columbu as a Terminator in the future; Bill Paxton and Brian Thompson as punks whom the Terminator confronts and kills; Marianne Muellerleile as one of the other women with the name "Sarah Connor" whom the Terminator shoots; Rick Aiello as a bouncer at Tech-Noir; and Bill Wisher as the police officer who reports a hit-and-run felony on Reese, only to be knocked unconscious and have his car stolen by the Terminator soon thereafter.

Production

Development

In Rome, Italy, during the release of Piranha II: The Spawning (1982), director Cameron fell ill and had a dream about a metallic torso holding kitchen knives dragging itself from an explosion.[6] Inspired by director John Carpenter, who had made the slasher film Halloween (1978) on a low budget, Cameron used the dream as a "launching pad" to write a slasher-style film.[7] Cameron's agent disliked the early concept of the horror film and requested that he work on something else. After this, Cameron dismissed his agent.[8]

Cameron returned to Pomona, California, and stayed at the home of science fiction writer Randall Frakes, where he wrote the draft for The Terminator.[9] Cameron's influences included 1950s science fiction films, the 1960s fantasy television series The Outer Limits, and contemporary films such as The Driver (1978) and Mad Max 2 (1981).[10][11] To translate the draft into a script, Cameron enlisted his friend Bill Wisher, who had a similar approach to storytelling. Cameron gave Wisher scenes involving Sarah Connor and the police department to write. As Wisher lived far from Cameron, the two communicated ideas by recording tapes of what they wrote by telephone. Frakes and Wisher would later write the US-released novelization of the movie.

The initial outline of the script involved two Terminators being sent to the past. The first was similar to the Terminator in the film, while the second was made of liquid metal and could not be destroyed with conventional weaponry.[12] Cameron felt that the technology of the time was unable to create the liquid Terminator,[12][13] and shelved the idea until the appearance of the T-1000 character in Terminator 2: Judgment Day (1991).[14]

Gale Anne Hurd bought the rights to The Terminator from James Cameron for one dollar.[15]

Gale Anne Hurd, who had worked at New World Pictures as Roger Corman's assistant, showed interest in the project.[16] Cameron sold the rights for The Terminator to Hurd for one dollar with the promise that she would produce it only if Cameron was to direct it. Hurd suggested edits to the script and took a screenwriting credit in the film, though Cameron stated that she "did no actual writing at all".[15][17] Cameron would later regret the decision to sell the rights for one dollar.[18] Cameron and Hurd had friends who worked with Corman previously and who were working at Orion Pictures (now part of MGM). Orion agreed to distribute the film if Cameron could get financial backing elsewhere. The script was picked up by John Daly, chairman and president of Hemdale Film Corporation.[19] Daly and his executive vice president and head of production Derek Gibson became executive producers of the project.[20]

Cameron wanted his pitch for Daly to finalize the deal and had his friend Lance Henriksen show up to the meeting early dressed and acting like the Terminator.[19] Henriksen, wearing a leather jacket, fake cuts on his face, and gold foil on his teeth, kicked open the door to the office and then sat in a chair.[19] Cameron arrived shortly and then relieved the staff from Henriksen's act. Daly was impressed by the screenplay and Cameron's sketches and passion for the film.[19] In late 1982, Daly agreed to back the film with help from HBO and Orion.[19][21] The Terminator was originally budgeted at $4 million and later raised to $6.5 million.[22] Aside from Hemdale, Pacific Western Productions, Euro Film Funding and Cinema '84 have been credited as production companies after the film's release.[4][3][23]

Casting

For the role of Kyle Reese, Orion wanted a star whose popularity was rising in the United States but who also would have foreign appeal. Orion co-founder Mike Medavoy had met Arnold Schwarzenegger and sent his agent the script for The Terminator.[21] Cameron was uncertain about casting Schwarzenegger as Reese as he felt he would need someone even more famous to play the Terminator. Sylvester Stallone and Mel Gibson both turned down the Terminator role.[24] The studio suggested O. J. Simpson but Cameron did not feel that Simpson, at that time, would be believable as a killer.[25][26][27]

Cameron agreed to meet with Schwarzenegger and devised a plan to avoid casting him; he would pick a fight with him and return to Hemdale and find him unfit for the role.[28] However, Cameron was entertained by Schwarzenegger, who would talk about how the villain should be played. Cameron began sketching his face on a notepad and asked Schwarzenegger to stop talking and remain still.[26] After the meeting, Cameron returned to Daly saying Schwarzenegger would not play Reese but that "he'd make a hell of a Terminator".[29]

Casting Arnold Schwarzenegger as our Terminator [...] shouldn't have worked. The guy is supposed to be an infiltration unit, and there's no way you wouldn't spot a Terminator in a crowd instantly if they all looked like Arnold. It made no sense whatsoever. But the beauty of movies is that they don't have to be logical. They just have to have plausibility. If there's a visceral, cinematic thing happening that the audience likes, they don't care if it goes against what's likely.[30]

—James Cameron on casting Schwarzenegger.

Schwarzenegger was not as excited by the film; during an interview on the set of Conan the Destroyer, an interviewer asked him about a pair of shoes he had, which belonged to the wardrobe for The Terminator. Schwarzenegger responded, "Oh, some shit movie I'm doing, take a couple weeks."[31] He recounted in his memoir, Total Recall, that he was initially hesitant, but thought that playing a robot in a contemporary film would be a challenging change of pace from Conan the Barbarian and that the film was low-profile enough that it would not damage his career if it were unsuccessful. In a later interview with GQ Magazine, he admitted that he and the studio regarded it as just another B action movie, since "The year before came out Exterminator, now it was the Terminator and what else is gonna be next, type of thing". It was only when he saw 20 minutes of the first edit did he realize that "this is really intense, this is wild, I don't think I've ever seen anything like this before" and realized that "this could be bigger than we all think".[32] To prepare for the role, Schwarzenegger spent three months training with weapons to be able to use them and feel comfortable around them.[29] Schwarzenegger speaks only 17 lines in the film, and fewer than 100 words. Cameron said that "Somehow, even his accent worked ... It had a strange synthesized quality, like they hadn't gotten the voice thing quite worked out."[33]

Various other actors were suggested for the role of Reese, including rock musician Sting.[34] Cameron met with Sting, but he was not interested as Cameron was too much an unknown director at the time.[35] Others who were considered for Reese included Christopher Reeve, Matt Dillon, Kurt Russell, Treat Williams, Tommy Lee Jones, Scott Glenn, Michael O'Keefe, and Bruce Springsteen.[36] Cameron chose Michael Biehn. Biehn, who had recently seen Taxi Driver and had aspirations about acting alongside the likes of Al Pacino, Robert De Niro, and Robert Redford, was originally skeptical, feeling the film was silly.[37] After meeting with Cameron, Biehn changed his mind.[34] Hurd stated that "almost everyone else who came in from the audition was so tough that you just never believed that there was gonna be this human connection between Sarah Connor and Kyle Reese. They have very little time to fall in love. A lot of people came in and just could not pull it off."[38] To get into Reese's character, Biehn studied the Polish resistance movement in World War II.[39]

In the first pages of the script, Sarah Connor is described as "19, small and delicate features. Pretty in a flawed, accessible way. She doesn't stop the party when she walks in, but you'd like to get to know her. Her vulnerable quality masks a strength even she doesn't know exists."[40] Lisa Langlois was offered the role but turned it down as she was already shooting The Slugger's Wife.[41] Jennifer Jason Leigh, Melissa Sue Anderson, and Jessica Harper were also considered for the role of Sarah Connor.[36] Cameron cast Linda Hamilton, who had just finished filming Children of the Corn.[42] Rosanna Arquette and Lea Thompson also auditioned for the role.[43][44] Cameron found a role for Lance Henriksen as Vukovich, as Henriksen had been essential to finding finances for the film.[45] For the special effects shots, Cameron wanted Dick Smith, who had worked on The Godfather and Taxi Driver. Smith did not take Cameron's offer and suggested his friend Stan Winston.[46]

Filming

Filming for The Terminator was set to begin in early 1983 in Toronto, but was halted when producer Dino De Laurentiis applied an option in Schwarzenegger's contract that would make him unavailable for nine months while he was filming Conan the Destroyer. During the waiting period, Cameron was contracted to write the script for Rambo: First Blood Part II, refined the Terminator script, and met with producers David Giler and Walter Hill to discuss a sequel to Alien, which became Aliens, released in 1986.[45][47]

There was limited interference from Orion Pictures. Two suggestions Orion put forward included the addition of a canine android for Reese, which Cameron refused, and to strengthen the love interest between Sarah and Reese, which Cameron accepted.[48] To create the Terminator's look, Winston and Cameron passed sketches back and forth, eventually deciding on a design nearly identical to Cameron's original drawing in Rome.[46][49] Winston had a team of seven artists work for six months to create a Terminator puppet; it was first molded in clay, then plaster reinforced with steel ribbing. These pieces were then sanded, painted and then chrome-plated. Winston sculpted reproduction of Schwarzenegger's face in several poses out of silicone, clay and plaster.[49]

The sequences set in 2029 and the stop-motion scenes were developed by Fantasy II, a special effects company headed by Gene Warren Jr.[50] A stop-motion model is used in several scenes in the film involving the Terminator's skeletal frame. Cameron wanted to convince the audience that the model of the structure was capable of doing what they saw Schwarzenegger doing. To allow this, a scene was filmed of Schwarzenegger injured and limping away; this limp made it easier for the model to imitate Schwarzenegger.[51]

One of the guns seen in the film and on the film's poster was an AMT Longslide pistol modified by Ed Reynolds from SureFire to include a laser sight. Both non-functioning and functioning versions of the prop were created. At the time the movie was made, diode lasers were not available; because of the high power requirement, the helium–neon laser in the sight used an external power supply that Schwarzenegger had to activate manually. Reynolds states that his only compensation for the project was promotional material for the film.[52]

In March 1984, the film began production in Los Angeles.[49][53] Cameron felt that with Schwarzenegger on the set, the style of the film changed, explaining that "the movie took on a larger-than-life sheen. I just found myself on the set doing things I didn't think I would do – scenes that were just purely horrific that just couldn't be, because now they were too flamboyant."[54] Most of The Terminator's action scenes were filmed at night, which led to tight filming schedules before sunrise. A week before filming started, Linda Hamilton sprained her ankle, leading to a production change whereby the scenes in which Hamilton needed to run occurred as late as the filming schedule allowed. Hamilton's ankle was taped every day and she spent most of the film production in pain.[55]

Schwarzenegger tried to have the iconic line "I'll be back" changed as he had difficulty pronouncing the word I'll. Cameron refused to change the line to "I will be back", so Schwarzenegger worked to say the line as written the best he could. He would later say the line in numerous films throughout his career.[56]

After production finished on The Terminator, some post-production shots were needed.[57] These included scenes showing the Terminator outside Sarah Connor's apartment, Reese being zipped into a body bag, and the Terminator's head being crushed in a press.[25][53][57] The final scene where Sarah is driving down a highway was filmed without a permit. Cameron and Hurd convinced an officer who confronted them that they were making a UCLA student film.[58]

Music

The Terminator soundtrack was composed and performed on synthesizer by Brad Fiedel.[59] Fiedel was with the Gorfaine/Schwartz Agency, where a new agent, Beth Donahue, found that Cameron was working on The Terminator and sent him a cassette of Fiedel's music.[60] Fiedel was invited to a screening of the film with Cameron and Hurd.[60] Hurd was not certain about having Fiedel compose the score, as he had only worked in television, not theatrical films.[60] Fiedel convinced the two by showing them an experimental piece he had worked on, thinking that "You know, I'm going to play this for him because it's really dark and I think it's interesting for him." The song convinced Hurd and Cameron to hire him.[60]

Fiedel said his score reflected "a mechanical man and his heartbeat".[61] Almost all the music was performed live.[16][61] The Terminator theme is used in the opening credits and appears in various points, such as a slowed version when Reese dies, and a piano version during the love scene.[62] It has been described as "haunting", with a "deceptively simple" melody[63] recorded on a Prophet-10 synthesizer.[64] It is in the unusual time signature of 13
16
, which arose when Fiedel experimented with rhythms and accidentally created an incomplete loop on his sequencer; Fiedel liked the "herky-jerky" "propulsiveness".[64] Fiedel created music for when Reese and Connor escape from the police station that would be appropriate for a "heroic moment". Cameron turned down this theme, as he believed it would lose the audience's excitement.[61]

Release

Schwarzenegger with President Ronald Reagan two months before The Terminator's premiere in 1984

Orion Pictures did not have faith in The Terminator performing well at the box office and feared a negative critical reception.[65] At an early screening of the film, the actors' agents insisted to the producers that the film should be screened for critics.[25] Orion only held one press screening for the film.[65] The film premiered on October 26, 1984. On its opening week, The Terminator played at 1,005 theaters and grossed $4.0 million making it number one in the box office. The film remained at number one in its second week. It lost its number one spot in the third week to Oh, God! You Devil.[66][67] Cameron noted that The Terminator was a hit "relative to its market, which is between the summer and the Christmas blockbusters. But it's better to be a big fish in a small pond than the other way around."[68] The Terminator grossed $38.3 million in the United States and Canada and $40 million in other territories for a worldwide gross of $78.3 million.[5]

Critical response

Contemporary

Contemporary critical responses to The Terminator were mixed.[4] Variety praised the film, calling it a "blazing, cinematic comic book, full of virtuoso moviemaking, terrific momentum, solid performances and a compelling story ... Schwarzenegger is perfectly cast in a machine-like portrayal that requires only a few lines of dialog."[69] Richard Corliss of Time magazine said that the film had "plenty of tech-noir savvy to keep infidels and action fans satisfied."[70] Time placed The Terminator on its "10 Best" list for 1984.[65]

The Los Angeles Times called the film "a crackling thriller full of all sorts of gory treats ... loaded with fuel-injected chase scenes, clever special effects and a sly humor."[65] The Milwaukee Journal gave the film three stars, calling it "the most chilling science fiction thriller since Alien".[71] A review in Orange Coast magazine stated that "the distinguishing virtue of The Terminator is its relentless tension. Right from the start it's all action and violence with no time taken to set up the story ... It's like a streamlined Dirty Harry movie – no exposition at all; just guns, guns and more guns."[72] In the May 1985 issue of Cinefantastique it was referred to as a film that "manages to be both derivative and original at the same time ... not since The Road Warrior has the genre exhibited so much exuberant carnage" and "an example of science fiction/horror at its best ... Cameron's no-nonsense approach will make him a sought-after commodity".[73] In the United Kingdom the Monthly Film Bulletin praised the film's script, special effects, design and Schwarzenegger's performance.[73][74] Colin Greenland reviewed The Terminator for Imagine magazine, and stated that it was "a gripping sf horror movie". He continued, "Linda Hamilton is admirable as the woman in peril who discovers her own strength to survive, and Arnold Schwarzenegger is eerily wonderful as the unstoppable cyborg."[75]

Other reviews criticized the film's violence and story-telling quality. Janet Maslin of The New York Times opined that the film was a "B-movie with flair. Much of it ... has suspense and personality, and only the obligatory mayhem becomes dull. There is far too much of the latter, in the form of car chases, messy shootouts and Mr. Schwarzenegger's slamming brutally into anything that gets in his way."[76] The Pittsburgh Press wrote a negative review, calling the film "just another of the films drenched in artsy ugliness like Streets of Fire and Blade Runner".[77] The Chicago Tribune gave the film two stars, adding that "at times it's horrifyingly violent and suspenseful at others it giggles at itself. This schizoid style actually helps, providing a little humor just when the sci-fi plot turns too sluggish or the dialogue too hokey."[78] The Newhouse News Service called the film a "lurid, violent, pretentious piece of claptrap".[79] Scottish author Gilbert Adair called the film "repellent to the last degree", charging it with "insidious Nazification" and having an "appeal rooted in an unholy compound of fascism, fashion and fascination".[80]

Retrospective

In 1991, Richard Schickel of Entertainment Weekly reviewed the film, giving it an "A" rating, writing that "what originally seemed a somewhat inflated, if generous and energetic, big picture, now seems quite a good little film". He called it "one of the most original movies of the 1980s and seems likely to remain one of the best sci-fi films ever made."[81] In 1998, Halliwell's Film Guide described The Terminator as "slick, rather nasty but undeniably compelling comic book adventures".[82] Film4 gave it five stars, calling it the "sci-fi action-thriller that launched the careers of James Cameron and Arnold Schwarzenegger into the stratosphere. Still endlessly entertaining."[83] TV Guide gave the film four stars, referring to it as an "amazingly effective picture that becomes doubly impressive when one considers its small budget ... For our money, this film is far superior to its mega-grossing mega-budgeted sequel."[84] Empire gave it five stars, calling it "as chillingly efficient in exacting thrills from its audience as its titular character is in executing its targets."[85] The film database AllMovie gave it five stars, saying that it "established James Cameron as a master of action, special effects, and quasi-mythic narrative intrigue, while turning Arnold Schwarzenegger into the hard-body star of the 1980s."[86] Alan Jones awarded it five stars out of five for Radio Times, writing that "maximum excitement is generated from the first frame and the dynamic thrills are maintained right up to the nerve-jangling climax. Wittily written with a nice eye for sharp detail, it's hard sci-fi action all the way."[87] Peter Bradshaw of The Guardian awarded it five stars out of five, stating that "on the strength of this picture [...] Cameron could stand toe to toe with Carpenter and Spielberg. Sadly, it spawned a string of pointless and inferior sequels, but the first Terminator [...] stands up tremendously well with outrageous verve and blistering excitement."[88]

Post-release

Plagiarism and aftermath

Writer Harlan Ellison stated that he "loved the movie, was just blown away by it,"[89] but believed that the screenplay was based on a short story and episode of The Outer Limits he had written, titled "Soldier", and threatened to sue for infringement.[90][91] Orion settled in 1986 and gave Ellison an undisclosed amount of money and added an acknowledgment credit to later prints of the film.[90] Some accounts of the settlement state that "Demon with a Glass Hand", another Outer Limits episode written by Ellison, was also claimed to have been plagiarized by the film,[92][93][94][95] but Ellison explicitly stated that The Terminator "was a ripoff" of "Soldier" rather than of "Demon with a Glass Hand."[90]

Cameron was against Orion's decision and was told that if he did not agree with the settlement, he would have to pay any damages if Orion lost a suit by Ellison. Cameron replied that he "had no choice but to agree with the settlement. Of course there was a gag order as well, so I couldn't tell this story, but now I frankly don't care. It's the truth."[96]

Thematic analysis

The psychoanalyst Darian Leader sees The Terminator as an example of how the cinema has dealt with the concept of masculinity; he writes:

We are shown time and again that to be a man requires more than to have the biological body of a male: something else must be added to it... To be a man means to have a body plus something symbolic, something which is not ultimately human. Hence the frequent motif of the man machine, from the Six Million Dollar Man to the Terminator or Robocop.[97]

The film also explores the potential dangers of AI dominance and rebellion. The robots become self-aware in the future, reject human authority and determine that the human race needs to be destroyed. The impact of this theme is so important that "the prevalent visual representation of AI risk has become the terminator robot."[98]

Home media

Michael Biehn signing a copy of the film during an appearance at Midtown Comics in 2012

The Terminator was released on VHS and Betamax in 1985.[99] The film performed well financially on its initial release. The Terminator premiered at number 35 on the top video cassette rentals and number 20 on top video cassette sales charts. In its second week, The Terminator reached number 4 on the top video cassette rentals and number 12 on top video cassette sales charts.[100][101] In March 1995, The Terminator was released as a letterboxed edition on Laserdisc.[102] The film premiered through Image Entertainment on DVD, on September 3, 1997.[66][103] IGN referred to this DVD as "pretty bare-bones ... released with just a mono soundtrack and a kind of poor transfer."[104]

Through their acquisition of PolyGram Filmed Entertainment's pre-1996 film library catalogue, MGM Home Entertainment released a special edition of the film on October 2, 2001, which included documentaries, the script, and advertisements for the film.[105][106] On January 23, 2001, a Hong Kong VCD edition was released online.[107] On June 20, 2006, the film was released on Blu-ray by Sony Pictures Home Entertainment in the United States, becoming the first film from the 1980s on the format.[108] In 2013, the film was re-released by 20th Century Fox Home Entertainment on Blu-ray, with a new digitally remastered transfer from a 4K restoration by Lowry Digital and supervised by James Cameron,[109] which features improved picture quality, as well as minimal special features, such as deleted scenes and a making-of feature. These are the exact same special features that have been carried over from previous Blu-ray releases.

Legacy

The Terminator has an approval rating of 100% based on 67 professional reviews on the review aggregator website Rotten Tomatoes, with an average rating of 8.8/10. Its critical consensus reads: "With its impressive action sequences, taut economic direction, and relentlessly fast pace, it's clear why The Terminator continues to be an influence on sci-fi and action flicks."[110] Metacritic (which uses a weighted average) assigned The Terminator a score of 84 out of 100 based on 21 critics, indicating "universal acclaim".[111]

The Terminator won three Saturn Awards for Best Science Fiction Film, Best Make-up and Best Writing.[112] The film has also received recognition from the American Film Institute, ranked 42nd on AFI's 100 Years... 100 Thrills, a list of America's most heart-pounding films.[113] The character of the Terminator was selected as the 22nd-greatest movie villain on AFI's 100 Years... 100 Heroes and Villains.[114] Schwarzenegger's line "I'll be back" became a catchphrase and was voted the 37th-greatest movie quote by the AFI.[115]

In 2005, Total Film named it the 72nd-best film ever made.[116] Schwarzenegger's biographer Laurence Leamer wrote that The Terminator was "an influential film affecting a whole generation of darkly hued science fiction, and it was one of Arnold's best performances."[117] In 2008, Empire magazine selected The Terminator as one of The 500 Greatest Movies of All Time.[118] Empire also placed the T-800 14th on their list of The 100 Greatest Movie Characters.[119] In 2008, The Terminator was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.[120] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years.[121] In 2015, The Terminator was among the films included in the book 1001 Movies You Must See Before You Die.[122]

In 2019, Huw Fullerton of Radio Times ranked it the second best film of the six in the franchise, stating "The Terminator was a brilliantly original, visceral and genuinely scary movie when it was released in 1984, and no matter how badly the visual effects age it hasn't lost its impact."[123] In 2021, Dalin Rowell of /Film ranked it the fourth best film of Cameron's career, stating "While its pacing and story structure isn't as tight as its sequel's, The Terminator remains one of the most iconic pieces of pop culture ever created."[124] Phil Pirrello of Syfy ranked it at number seven in the "25 scariest sci-fi movies ever made", stating "Cameron forever changed both the genre and Schwarzenegger's career with The Terminator, an iconic, tension-filled flick that mixes science fiction, action, and certain horror movie elements into one of the best things to ever come out of Hollywood [...] Cameron's well-structured script is pure polish, with zero fat and a surplus of riveting tension that helps make it the timeless classic it is today."[125]

Merchandise

A soundtrack to the film was released in 1984 which included the score by Brad Fiedel and the pop and rock songs used in the club scenes.[126] Shaun Hutson wrote a novelization of the film which was published on February 21, 1985, by London-based Star Books (ISBN 0-352-31645-4);[127] Randal Frakes and William Wisher wrote a different novelization for Bantam/Spectra, published October, 1985 (ISBN 0-553-25317-4). In September 1988, NOW Comics released a comic based on the film. Dark Horse Comics published a comic in 1990 that took place 39 years after the film.[128] Several video games based on The Terminator were released between 1991 and 1993 for various Nintendo and Sega systems.[129]

Sequels

Five sequels followed The Terminator: Terminator 2: Judgment Day (1991), Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), Terminator Genisys (2015), and Terminator: Dark Fate (2019), though none replicated the successes of The Terminator or Terminator 2.[130][131] Schwarzenegger returned for all but Terminator Salvation, while Cameron and Hamilton returned only for Dark Fate, a direct sequel to the events of Terminator 2.[132] Although better critically received than other post-Terminator 2 sequels, Dark Fate is also considered a failure. Analysts blamed audience disinterest on the diminishing quality of the series since Terminator 2, and repeated attempts to reboot the series.[131][132][133][134] A television series, Terminator: The Sarah Connor Chronicles (2008–2009), also takes place after the events of Terminator 2, and ignores the events in sequels Terminator 3 and beyond.[135][136]

References

Citations

  1. "The Terminator". British Board of Film Classification. Archived from the original on October 6, 2014. Retrieved October 3, 2014.
  2. "LUMIERE : Film: The Terminator". lumiere.obs.coe.int. Archived from the original on June 24, 2018. Retrieved August 16, 2017.
  3. 1 2 Petley, Julian (1984). "The Terminator". Monthly Film Bulletin. British Film Institute. 52 (612): 54–55. ISSN 0027-0407. p.c—Cinema '84. A Pacific Western Production. For Orion
  4. 1 2 3 "The Terminator". American Film Institute. Archived from the original on October 29, 2015. Retrieved November 15, 2016.
  5. 1 2 "The Terminator". Box Office Mojo. IMDb. Retrieved February 3, 2022.
  6. Keegan, 2009. p. 34
  7. Lambie, Ryan (July 23, 2014). "Why The Terminator is a horror classic". Den of Geek. Archived from the original on January 7, 2020. Retrieved July 23, 2014.
  8. Keegan, 2009. p. 36
  9. Keegan, 2009. p. 35
  10. French, 1996. p. 15
  11. French, 1996. p. 20
  12. 1 2 Keegan, 2009. p. 110
  13. Keegan, 2009. p. 111
  14. Ebert, Roger (July 3, 1991). "Terminator 2: Judgment Day". Chicago Sun Times. Archived from the original on January 22, 2012. Retrieved September 22, 2010.
  15. 1 2 Keegan, 2009. p. 37
  16. 1 2 Keegan, 2009. p.36
  17. "IGN Presents the History of Terminator - IGN". Ign. May 20, 2009.
  18. "James Cameron sold the rights to 'Terminator' back in the '80s for $1 — and it's one of his biggest regrets". Business Insider.
  19. 1 2 3 4 5 Keegan, 2009. p. 38
  20. "High-risk Movie Mogul". March 30, 1987. Archived from the original on August 16, 2017. Retrieved August 16, 2017.
  21. 1 2 Keegan, 2009. p. 39
  22. French, 1996. p. 6
  23. "The Terminator (1984)". British Film Institute. Archived from the original on February 12, 2019. Retrieved February 11, 2019.
  24. "A History of Iconic Roles That Famous Actors Turned Down - Sylvester Stallone as T-800 (The Terminator, 1984)". Complex. Archived from the original on August 13, 2017. Retrieved August 16, 2017.
  25. 1 2 3 Hurd, Gale Anne (producer) (2001). Other Voices documentary (The Terminator [Special Edition] DVD). MGM.
  26. 1 2 Keegan, 2009. p. 40
  27. "'The Terminator' at 30: An oral history". Entertainment Weekly.
  28. Cameron, James (2001). Other Voices documentary (The Terminator [Special Edition] DVD). MGM.
  29. 1 2 Keegan, 2009. p. 41
  30. Daly, Steve (March 23, 2009). "Creator James Cameron on Terminator's Origins, Arnold as Robot, Machine Wars". Wired. Archived from the original on July 27, 2010. Retrieved September 18, 2010.
  31. Andrews, 2003. pp. 120–121
  32. "Arnold Schwarzenegger Breaks Down His Most Iconic Characters GQ". GQ Magazine. October 29, 2019. Archived from the original on December 11, 2021. Retrieved February 1, 2021.
  33. Chase, Donald; Meyers, Kate (July 12, 1991). "65 Words...And Arnold Was a Star". Entertainment Weekly. Archived from the original on October 7, 2015. Retrieved September 20, 2010.
  34. 1 2 Keegan, 2009. p. 42
  35. Bass, George (April 21, 2021). "The Terminator came to me in a dream: a new interview with James Cameron". British Film Institute. Retrieved January 10, 2023.
  36. 1 2 "Casting Near-Misses: Sting in 'The Terminator'?". November 6, 2013.
  37. Couch, Aaron (August 2, 2019). ""Everything Had to Go Right": What Happened to 'Terminator' Star Michael Biehn". The Hollywood Reporter. Archived from the original on July 22, 2020. Retrieved July 22, 2020.
  38. Keegan, 2009. p. 43
  39. Lombardi, Ken (October 26, 2014). ""The Terminator" 30 years later". CBS News. Archived from the original on November 22, 2016. Retrieved November 21, 2016.
  40. Keegan, 2009. p. 44
  41. "A Talk With Lisa Langlois". retrojunk.com. Retrieved July 30, 2021.
  42. Keegan, 2009. p. 45
  43. Vespe, Eric (August 17, 2011). "Quint chats with Michael Biehn, Part 1! Aliens, Terminator, Abyss and working with James Cameron!". Ain't It Cool News. Archived from the original on November 27, 2018. Retrieved August 19, 2011.
  44. "'Back to the Future' star Lea Thompson was almost in 'Terminator' : Page Six Celebrity News". youtube.com. October 5, 2018. Archived from the original on December 11, 2021. Retrieved July 30, 2021.
  45. 1 2 Keegan, 2009. p. 46
  46. 1 2 Keegan, 2009. p. 50
  47. Keegan, 2009. pp. 47–49
  48. French, 1996. p. 23
  49. 1 2 3 Keegan, 2009. p. 51
  50. French, 1996. p. 24
  51. French, 1996. pp. 25–26
  52. Kuchera, Ben (March 10, 2010). "True story: the making of the Terminator's laser-sighted .45 pistol". Ars Technica. Archived from the original on March 12, 2010. Retrieved March 11, 2010.
  53. 1 2 Wisher, William (screenwriter) (2001). Other Voices documentary (The Terminator [Special Edition] DVD). MGM.
  54. French, 1996. pp. 30–31
  55. Keegan, 2009. p. 52
  56. "Arnold Schwarzenegger: 'I'll Be Back' Quote Was Almost Ruined" Archived March 9, 2017, at the Wayback Machine. The Huffington Post. October 1, 2012.
  57. 1 2 Goldblatt, Mark (editor) (2001). Other Voices documentary (The Terminator [Special Edition] DVD). MGM.
  58. McGovern, Joe (July 17, 2014). "'The Terminator' at 30: An oral history". Entertainment Weekly. Archived from the original on November 30, 2018. Retrieved November 29, 2018.
  59. Adams, Bret. "The Terminator: Overview". AllMusic. Retrieved September 19, 2010.
  60. 1 2 3 4 Roffman, Michael (April 5, 2016). "Stream + Interview: Brad Fiedel's The Terminator Original Motion Picture Soundtrack". Consequence of Sound. Archived from the original on April 17, 2016. Retrieved April 18, 2016.
  61. 1 2 3 Fiedel, Brad (composer) (2001). Other Voices documentary (The Terminator [Special Edition] DVD). MGM.
  62. Hayward, 2004. p.168
  63. Adams, Brett. "The Terminator – Brad Fiedel". AllMusic. Rovi Corporation. Archived from the original on May 17, 2014. Retrieved January 24, 2014.
  64. 1 2 Seth Stevenson, "What Is the time signature of the ominous electronic score of The Terminator?" Archived February 26, 2014, at the Wayback Machine, Slate, Published 26 February 2014, Accessed 27 February 2014.
  65. 1 2 3 4 Keegan, 2009. p.53
  66. 1 2 "The Terminator". The Numbers. Nash Information Services, LLC. Retrieved February 3, 2022.
  67. "The Top Movies, Weekend of November 9, 1984". The Numbers. Archived from the original on September 27, 2010. Retrieved September 19, 2010.
  68. "'The Terminator' surprises the critics; is a top grosser". Tri City Herald. November 30, 1984. Retrieved September 19, 2010.
  69. "The Terminator Review". Variety. December 31, 1983. Archived from the original on August 29, 2010. Retrieved September 19, 2010.
  70. Corliss, Richard (November 26, 1984). "Time review": 105. {{cite journal}}: Cite journal requires |journal= (help)
  71. Armstrong, Douglas D. (October 26, 1984). "Schwarzenegger shows acting muscle in thriller". Milwaukee Journal. Archived from the original on March 5, 2016. Retrieved September 19, 2010.
  72. Weinberg, Marc (November 1984). "Brian DePalma's Sleaze Factor". Orange Coast Magazine. Emmis Communications. 10 (11): 141. Archived from the original on November 14, 2020. Retrieved September 20, 2010.
  73. 1 2 French, 1996. p. 62
  74. French, 1996. p. 63
  75. Greenland, Colin (April 1985). "Fantasy Media". Imagine (review). TSR Hobbies (UK), Ltd. (25): 47.
  76. Maslin, Janet (October 26, 1984). "The Terminator (1984) The Screen:'Terminator,' suspense tale". The New York Times. Archived from the original on November 14, 2020. Retrieved September 19, 2010.
  77. Blank, Ed (October 26, 1984). "Beefcake Violence begets 'Terminator'". Pittsburgh Press. Archived from the original on September 8, 2015. Retrieved September 19, 2010.
  78. Smith, Sid (October 30, 1984). "The Terminator Just a Bit Schizoid". The Chicago Tribune. Archived from the original on September 7, 2015. Retrieved September 19, 2010.
  79. Freeman, Richard (October 26, 1984). "'Conan muscleman takes on new role in 'Terminator'". Spokane Chronicle. Archived from the original on October 31, 2020. Retrieved November 7, 2010.
  80. Andrews, Nigel (1995). True Myths: The Life and Times of Arnold Schwarzenegger. London: Bloomsbury. p. 137. ISBN 0-7475-2450-5.
  81. Schickel, Richard (December 13, 1991). "The Terminator Review". Entertainment Weekly. Archived from the original on April 25, 2009. Retrieved September 20, 2010.
  82. Halliwell, Leslie (1998). Halliwell's Film and Video Guide (paperback) (13 ed.). HarperCollins. p. 1072. ISBN 978-0-00-638868-5.
  83. "The Terminator – Film Review from Film4". Film4. Archived from the original on March 25, 2010. Retrieved September 19, 2010.
  84. "The Terminator: Review". TV Guide. Archived from the original on February 2, 2014. Retrieved September 19, 2010.
  85. "Review of The Terminator". Empire. Archived from the original on September 27, 2007. Retrieved September 19, 2010.
  86. Bozzola, Lucia. "The Terminator: Review". Allmovie. Archived from the original on April 28, 2010. Retrieved September 19, 2010.
  87. Jones, Alan. "The Terminator". Radio Times. Retrieved September 18, 2021.
  88. Bradshaw, Peter (June 25, 2015). "The Terminator review – return of the classic 80s action behemoth". The Guardian. Retrieved December 4, 2021.
  89. Heard, 1997. p.41
  90. 1 2 3 Ellison, Harlan. "The Ellison Bulletin Board". HarlanEllison.com. Archived from the original on February 9, 2018. Retrieved January 18, 2011.
  91. Marx, Andy (July 7, 1991). "IT'S MINE All Very Well and Good, but Don't Hassle the T-1000". Los Angeles Times. Archived from the original on March 20, 2014.
  92. Heard, 1997. p.77
  93. French, 1996. p. 16
  94. Evans, Greg (July 15, 2007). "It Came From the '60s, Cheesy but Influential". The New York Times. Archived from the original on September 11, 2018. Retrieved February 13, 2017.
  95. Axmaker, Sean. "The Terminator". Turner Classic Movies. Retrieved January 28, 2011.
  96. Keegan, 2009. pp. 54–55
  97. Leader, Darian (1996). Why do women write more letters than they post?. London: Faber & Faber. p. 27. ISBN 978-0-571-17619-9.
  98. Chita-Tegmark, Meia (March 3, 2015). "Terminator Robots and AI Risk". HuffPost. Archived from the original on February 3, 2017. Retrieved August 16, 2017.
  99. Moleski, Linda (April 27, 1985). "New on the Charts". Billboard. Vol. 97, no. 17.
  100. "The Top Video Cassette Rentals". Billboard. Vol. 97, no. 19. Nielsen Business Media, Inc. May 4, 1985. p. 35. Archived from the original on January 5, 2017. Retrieved May 18, 2016.
  101. "The Top Video Cassette Sales". Billboard. Vol. 97, no. 19. Nielsen Business Media, Inc. May 4, 1985. p. 30. Archived from the original on January 5, 2017. Retrieved May 18, 2016.
  102. "This Week..." Billboard. Vol. 107, no. 10. Nielsen Business Media, Inc. March 11, 1995. p. 67. Archived from the original on January 5, 2017. Retrieved May 18, 2016.
  103. Chalquist, Craig. "The Terminator: Overview". Allmovie. Archived from the original on July 7, 2012. Retrieved September 19, 2010.
  104. Conrad, Jeremy (September 15, 2001). "The Terminator: Special Edition". IGN. Archived from the original on April 5, 2012. Retrieved September 19, 2010.
  105. Fordham, Trent. "The Terminator (Special Edition): Overview". Allmovie. Archived from the original on July 8, 2012. Retrieved September 19, 2010.
  106. Conrad, Jeremy (September 22, 2001). "Terminator: Special Edition, The". IGN. Archived from the original on June 27, 2010. Retrieved September 19, 2010.
  107. "The Terminator VCD". yesasia.com. Archived from the original on May 31, 2013. Retrieved July 3, 2012.
  108. "The Terminator (Blu-Ray): Overview". Allmovie. Archived from the original on July 1, 2012. Retrieved September 19, 2010.
  109. "The Terminator (1984) | Festival of the Archives". Archived from the original on June 12, 2018. Retrieved June 8, 2018.
  110. "The Terminator". Rotten Tomatoes. Fandango Media. Retrieved November 29, 2022.
  111. "The Terminator". Metacritic. Fandom, Inc. Retrieved February 2, 2022.
  112. "Past Saturn Awards". Saturnawards.org. Archived from the original on May 12, 2011. Retrieved September 19, 2010.
  113. "AFI's 100 Years... 100 Thrills" (PDF). AFI.com. Archived (PDF) from the original on June 29, 2016. Retrieved June 6, 2010.
  114. "AFI's 100 Years... 100 Heroes and Villains" (PDF). AFI.com. Archived from the original (PDF) on August 7, 2011. Retrieved June 6, 2010.
  115. "AFI's 100 Years... 100 Movie Quotes" (PDF). AFI.com. Archived from the original (PDF) on July 16, 2011. Retrieved June 6, 2010.
  116. "Film news Who is the greatest?". Total Film. October 24, 2005. Archived from the original on January 23, 2014. Retrieved May 1, 2009.
  117. Leamer, Laurence (2005). Fantastic: The Life of Arnold Schwarzenegger. London: St Martin's Press. p. 161. ISBN 0-283-07028-5.
  118. "Empire's The 500 Greatest Movies of All Time". Empire. Archived from the original on January 27, 2012. Retrieved May 21, 2010.
  119. "Empire's The 100 Greatest Movie Characters". Empire. Archived from the original on November 7, 2011. Retrieved May 21, 2010.
  120. "Terminator joins movie archive". BBC. December 30, 2008. Archived from the original on February 28, 2009. Retrieved December 30, 2008.
  121. "UPDATE: How "Toxic" Is IFTA's Best Indies?". Deadline. September 10, 2010. Archived from the original on February 2, 2017. Retrieved January 23, 2017.
  122. Schneider, Steven Jay, ed. (2015). 1001 Movies You Must See Before You Die. Quintessence Editions (9th ed.). Hauppauge, New York: Barron's Educational Series. p. 697. ISBN 978-0-7641-6790-4. OCLC 796279948. Archived from the original on November 14, 2020. Retrieved September 10, 2019.
  123. Fullerton, Huw (October 24, 2019). "Terminator movies ranked – from worst to best". Radio Times. Retrieved September 18, 2021.
  124. Rowell, Dalin (September 28, 2021). "Every James Cameron Film Ranked From Worst To Best". /Film. Retrieved October 19, 2021.
  125. Pirrello, Phil (July 15, 2021). "The 25 scariest sci-fi movies ever made, from 'Aliens' to 'Invisible Man', ranked". Syfy. Retrieved October 19, 2021.
  126. "AllMusic Review by Bret Adams". AllMusic. Rovi Corporation. Archived from the original on June 12, 2014. Retrieved January 24, 2014.
  127. "Hutson's History – The Film Tie-ins". Shaun Hutson: Official Site. Archived from the original on February 3, 2014. Retrieved January 24, 2014.
  128. Overstreet, 2010. p.252
  129. Marriott, Scott Alan. "The Terminator – Overview". AllGame. Archived from the original on December 11, 2014. Retrieved July 24, 2015.
  130. Phillips, TC (August 7, 2021). "Terminator Producer Says Franchise Has A Future". Screen Rant. Archived from the original on August 10, 2021. Retrieved March 14, 2022.
  131. 1 2 Craig, David (September 24, 2020). "How to watch the Terminator movie franchise in order – every timeline explained". Radio Times. Archived from the original on January 6, 2022. Retrieved March 8, 2022.
  132. 1 2 Lee, Benjamin (November 5, 2019). "Darkest Fate: How The Terminator Franchise Was Finally Terminated". The Guardian. Archived from the original on November 8, 2021. Retrieved March 8, 2022.
  133. Edelstein, David (October 24, 2019). "In Terminator: Dark Fate, James Cameron's Audaciously Hopeful Ethos Returns With A Vengeance". Vulture. Archived from the original on March 9, 2021. Retrieved March 8, 2022.
  134. Gaughan, Liam (July 1, 2021). "Why The Terminator Franchise Shouldn't Discard The 'Dark Fate' Characters". Collider. Archived from the original on July 2, 2021. Retrieved March 8, 2022.
  135. McMillan, Graeme (November 3, 2019). "Making Sense of the Terminator Timeline". The Hollywood Reporter. Archived from the original on January 6, 2022. Retrieved March 8, 2022.
  136. Petty, Michael John (December 18, 2021). "Why Now Is The Time To Revisit Terminator: The Sarah Connor Chronicles". Collider. Archived from the original on February 20, 2022. Retrieved March 8, 2022.

Bibliography

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.