Mighty Garvey!
Studio album by
Released6 May 1968 (1968-05-06) (US)
28 June 1968 (1968-06-28) (UK)
Recorded22 August 1966 – 12 March 1968[1]
Genre
Length38:54
LabelMercury (US), Fontana (UK)
ProducerManfred Mann
Manfred Mann chronology
Up the Junction
(1968)
Mighty Garvey!
(1968)
Alternative cover
North American release
Singles from Mighty Garvey!
  1. "Ha! Ha! Said The Clown"
    Released: April 1967 (North America only)
  2. "The Mighty Quinn (Quinn The Eskimo)"
    Released: February 1968 (North America only)
Professional ratings
Review scores
SourceRating
AllMusic[2]
Rolling Stone(moderate)[3]

Mighty Garvey! is the fifth and final studio album by Manfred Mann, released on 28 June 1968 by Fontana Records. It was the last recorded by the band (not including compilations) after the change of direction and personnel of their 1966 album As Is. It continued a transition away from jazz and blues towards self-composed art-pop. Despite including two UK top 5 hit singles (Bob Dylan's "Mighty Quinn" and Tony Hazzard's "Ha! Ha! Said the Clown"), the album did not chart and the band split up the year after. In the US and Canada, it was released as The Mighty Quinn by Mercury Records.

Overview

The group's continued pop success with material by established songwriters such as Dylan and Hazzard made its handlers averse to the risk of releasing self-written singles, a state of affairs that had prevailed ever since the success of "Do Wah Diddy Diddy", even though the group's first hits had been self-composed. At least one example of drummer Mike Hugg's new-found productivity had been seen as potentially chart-worthy[4] and singer Mike d'Abo was able to provide other artists with hits such as "Build Me Up Buttercup" and "Handbags and Gladrags". The resultant pop image did not encourage album sales to "serious" listeners, particularly when trends were turning from baroque pop to hard rock. So, like contemporary releases by The Kinks and The Zombies, Mighty Garvey! became a record esteemed more in retrospect[5] than at the time. It was re-issued in 2003, with bonus tracks.

The group's commercial compromises[6] also led to "self-knocking",[7] and its recordings developed an ironic distance that on Mighty Garvey sometimes invites comparison with The Kinks,[8] Dave Dee, Dozy, Beaky, Mick & Tich, Frank Zappa or The Bonzo Dog Band. Even on Hugg's intricate and sentimental "Harry the One Man Band" the vocal track finally dissolves into schoolboy mirth and silly noises. The three different versions of d'Abo's song "Happy Families", credited as; (Track 1) Performed by Eddie 'Fingers' Garvey, (Track 6) Performed by Ed Garvey and The Trio and (Track 14) Performed by Edwin O'Garvey and His Showband, are outright parodies of "the pompous big rock band style, the sleazy lounge jazz style, and then the semi-drunk family entertainment "country-shape Christmas" style"[8] that appropriate and poke fun at the Sgt. Pepper's Lonely Hearts Club Band concept ("Edwin Garvey" being an invented character introduced on the similarly flippant flip side of "Mighty Quinn").

These three parodies and two hit singles take up over a third of a relatively short L.P. and of the remainder, d'Abo's "Country Dancing" and "The Vicar's Daughter" are likewise somewhat arch, besides strengthening an impression of "chameleonism"[8] and lack of sincere direction. "Big Betty" is also non-original, a treatment of Huddie Ledbetter's song "Black Betty" in a manner reminiscent of The Spencer Davis Group's hits, providing the only real point of contact with the band's rhythm and blues past. Yet this still leaves a core of worthwhile, intelligent and melodic songs, also by Hugg and d'Abo apart from "Cubist Town", written by guitarist Tom McGuinness in a one-off collaboration. The group made full use of the new possibilities of multi-tracking, overlaying complex and inventive textures of flutes, keyboards and vibraphones, while the group's backing vocals, originally limited to a tribal unison, began to take on an almost Pet Sounds complexity, even if they're not quite as in tune.

Track listing

Recording dates taken from Greg Russo's book Mannerisms: The Five Phases Of Manfred Mann.[9]

Original UK release

Side one
No.TitleWriter(s)Recording dateLength
1."Happy Families" (Eddie "Fingers" Garvey)Mike d'Abo19 December 1966 & 5 March 19682:18
2."No Better, No Worse"d'AboSpring 19683:02
3."Every Day Another Hair Turns Grey"Mike Hugg18 & 22 May 19672:54
4."Country Dancing"d'Abo16 January 19672:53
5."It's So Easy Falling"HuggSpring 19683:20
6."Happy Families" (Eddie Garvey and the Trio)d'Abo12 March 19682:09
7."Mighty Quinn"Bob Dylan26 October, 2 November & December 19672:52
Side two
No.TitleWriter(s)Recording dateLength
8."Big Betty"Huddie Ledbetter20 January 19673:06
9."The Vicar's Daughter"d'Abo22 August 19662:18
10."Each and Every Day"Hugg22 August 19662:47
11."Cubist Town"Tom McGuinness, Charles Perrot2 January 19683:21
12."Ha! Ha! Said the Clown"Tony Hazzard10 February 19672:27
13."Harry the One-Man Band"Hugg19 December 1966 & 5 March 19683:11
14."Happy Families" (Edwin O'Garvey and his Showband)d'Abo19 December 19662:16

North American release

Side one
No.TitleWriter(s)Recording dateLength
1."The Mighty Quinn (Quinn The Eskimo)"Dylan26 October, 2 November & December 19672:51
2."Ha! Ha! Said the Clown"Hazzard10 February 19672:25
3."Everyday Another Hair Turns Grey"Hugg18 & 22 May 19672:56
4."It's So Easy Falling"HuggSpring 19683:23
5."Big Betty"Ledbetter20 January 19673:06
6."Cubist Town"McGuinness, Perrot2 January 19683:19
Side two
No.TitleWriter(s)Recording dateLength
7."Country Dancing"d'Abo16 January 19672:56
8."Semi-Detached, Suburban Mr. James"Geoff Stephens, John Carter22 August 19662:37
9."The Vicar's Daughter"d'Abo22 August 19662:17
10."Each and Every Day"Hugg22 August 19662:47
11."No Better, No Worse"d'AboSpring 19682:26

Personnel

Musicians

Technical

References

  1. Russo, Greg (2011). Mannerisms: The Five Phases of Manfred Mann. Crossfire Publications. pp. 258–259, 261–262. ISBN 9780979184529.
  2. Mighty Garvey! at AllMusic
  3. Pomeroy, James (5 July 1968). "The Mighty Quinn". Rolling Stone. Retrieved 28 August 2013.
  4. Sleeve notes, What a Mann!, Fontana Records compilation, Fontana SFL 13003. Released 28 June 1968
  5. See, for example, the critical review at http://starling.rinet.ru/music/mann.htm
  6. "As Is (Manfred Mann) – Resources on RateItAll". Rateitall.com. Archived from the original on 23 February 2012. Retrieved 1 March 2012.
  7. Sleeve note, As Is, Fontana TL/STL 5377. Released 21 October 1966
  8. 1 2 3 "Manfred Mann". Starling.rinet.ru. Retrieved 1 March 2012.
  9. Russo, Greg (2011). Mannerisms: The Five Phases of Manfred Mann. Crossfire Publications. pp. 258–262. ISBN 9780979184529.
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